Furniture design should first understand the history of Chinese furniture culture

With a long ancient country and a world of civilization, China is the most glorious country in furniture design, production and cultural cohesion in the world. Oriental furniture is a great faction that is different from Western furniture. It is concentrated on the peak of Ming and Qing dynasties, but the modern Chinese furniture and culture have declined with the decline of the nation. Reform and opening up have provided a vast space and stage for the development of modern Chinese furniture.

A. The era of low furniture. From the Shang and Zhou Dynasties to the Eight Kingdoms of the Three Kingdoms, it caters to the lifestyle of the people sitting and lying on the ground. It is made of natural materials, ancient shapes, simple structure and colorful colors;

B. Period of transition from low furniture to high furniture. From the Jin Dynasty, the Northern and Southern Dynasties to the Sui and Tang Dynasties, the furniture was simple in shape, smooth in lines, simple and elegant, and more attention was paid to the decorative effect.

C. Popular era of high furniture development. During the Song and Yuan Dynasties, the modeling structure changed greatly. The prototype of traditional Chinese furniture has been constructed. It pays attention to the rationality and order of the structure and proportion, advocating simplicity, elegance and simplicity. The style characteristics are also seen in modern Japanese furniture and Taiwanese furniture.

D. The heyday of Ming and Qing furniture. Especially the Ming Dynasty furniture reached the peak of Oriental Chinese furniture. The furniture of the Ming Dynasty was exquisite in materials, exquisite workmanship, simple and smooth modeling, solid and reasonable structure, moderate proportion, presenting ergonomics, focusing on the use efficiency, the lines are outlined gracefully, the style is elegant and dignified, and the beauty of the furniture is the best. In contrast, furniture of the Qing Dynasty placed too much emphasis on carving, showing grace and magnificence, showing off officials and ancestors, but on the contrary, the cultural value was not as good as that of the Ming Dynasty.

E. Modern and modern furniture era. The Opium War turned China into a weak political, economic, and national personality. Folk artisans walk the streets and alleys at most are workshop-style productions. At this time, the design, production and use are all stuck in a stagnation situation.

F. After liberation, with the cooperation and public-private partnership transformation, under the influence of the Soviet Union, large cities began to form semi-mechanized factory production, but the furniture industry in the modern sense did not form under the planned economic system.

The spring breeze of reform and opening up and the adjustment of the world's industrial structure shift the world, bringing vitality and vitality to China's modern furniture industry. Hong Kong and Taiwan first, followed by Europe and the United States, brought revolutionary changes from design, production, craftsmanship, materials to structure and marketing. This change can be preceded by the introduction of Hong Kong-funded panel disassembly and assembly furniture from Shenzhen in the 1980s.

According to China Wardrobe Network, since the 1990s, the modern furniture industry that is truly in line with the world has flourished and developed in China. The gap between Chinese furniture and world furniture in the past 100 years has been narrowed in just 20 years, which not only meets domestic consumer demand, but also enters the international market and has become a powerful international competitor for low-end and mid-range homes. With the entry of WTO, China, which has traditional industries as its advantages, will quickly become the world's largest furniture exporter. In the meantime, Chinese furniture with Chinese national cultural characteristics and modern technology will gradually resurrect and rise.
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